Return to The Aisle Seat.
In Revolutionary Road, there is one scene at the beginning where they are happy, but for the rest of the movie they fight.
Director Sam Mendes makes '50s suburbia a persuasively suffocating place — he did the same for '90s suburbia in American Beauty, remember.
DiCaprio turns Frank into a fountain of anger; he sells his soul to the company, then gets bitter about doing work he finds unsatisfying.
He has an affair with a young secretary.
Yeah, I was a little weirdo.